Wednesday, September 27, 2017

Drobo B810i Review





Outside of hardcore enterprise systems that cost many thousands of dollars, the DROBO B810I stands alone as a mainstream dedicated iSCSI SAN-only device. The iSCSI feature is often included with lower-cost network-attached storage systems, but mostly as an afterthought. Drobo decided to take iSCSI seriously while maintaining the company's ease-of-use policy. The result is a user-friendly device that takes the complication out of a complicated setup process.

Some things just come with a certain expectation. Ferrari's are supposed to be fast, Lamborghini's are supposed to burn to the ground, and an iSCSI setup is supposed to be complicated. With network attached storage (NAS) devices, any system on the network, if it has permission, can access a storage volume through a simple command. Many NAS, even the low-cost products selling for $200, include the required software to setup a SAN running iSCSI. Most users don't bother jumping through the hoops required to set up an iSCSI pairing because it's difficult the first time. The process involves the language of both storage and network, two sets of principals most people never really want to learn more about after getting a good enough system up and running.

Storage Area Networks or SANs have several benefits over NAS systems. The data moves at the block-level, just like in your PC. The SAN storage array presents itself to your PC just like local storage, so it exposes itself as a hard disk drive in your Explorer window with a standard drive letter. Software that doesn't install or run well on a NAS will not know the array is offloaded to another PC. The software thinks the storage is local, and thus runs without hesitation.

Monday, September 11, 2017

DENON DJ VL12 Quick Review



4




I’m getting a massive feeling of Déjà vu. I’m absolutely certain I’ve been here before… maybe even twice. Yes I have. We saw the first incarnation of this at last year’s NAMM, and fell in love with it. AND THEN IT TURNED UP AT DJ Expo, but had lost some of its cool black stealth. Denon DJ decided to buck the Hanpin trend and build their own turntable. And here we are, one year later with an updated VL12 Prime (scroll to the bottom of the page).

HEre’s what Denon DJ has to say about this refreshed DENON DJ VL12:

As mentioned above, we’ve been here before. But I can see why it was held back and made part of Denon DJ’s bigger Prime strategy. But I’m reasonably sure it’s more or less the same turntable, just with an updated look.

I’d bullet point the key features, but it’s all detailed above, leaving me with not a great deal to talk about. I suppose ti should pick out the things that makes this stand out above the crowded market dominated by Hanpin derivatives:
Variable torque: It’s hard for some to deal with a platter that pulls you along with the record, and at 5kg, this is the highest (albeit by a small amount) torque on the market.
A different platter: I love the platters on my TTX1s, and equally love that Denon dared to be different.
RGB lighting: It may seem gimmicky, but that platter outer ring light is very cool indeed. We only saw it under bright trade show lights at NAMM and it was still good. And the fact that you can adjust it to your DJ brand is valuable in a brand-led age.

I have to say that I’m disappointed at the aesthetic changes. The original we saw was pure DJ porn, but now it’s like so many other turntables. Sorry guys — you played it a bit too safe here. Perhaps it’s the renders — maybe I’ll feel differently when I see them in the flesh. It’s not just me — this is a DJWORX team opinion.

Me? I couldn’t happier with my 13 year old TTX1s. Now if Denon DJ had “Primed” those instead, and essentially reskinned a TTXUSB with its interchangeable arms, dual start/stops buttons, brake/startup adjusts, swappable controls, huge display, reverse, and USB… now that I would pay top money for. I may just have to get another pair before they disappear completely.

For the more numbers driven people out there — sorry, but I can’t find any specs for the VL12 Prime. I’m sure they’ll be published in due course.

And so to price. £649/$899 is very expensive in today’s market. It’s half the price of the new Technics SL-1200GR, but that’s not aimed at DJs. The comparison you’re looking for is the Pioneer DJ PLX-1000, which is £529/$699. This price is the top end of current DJ turntablry, and that was derided when it came out at £599.

I don’t know how popular the PLX has been, but I do know that it’s generally not especially well thought of, largely down to this teardown video from Bright Pixel. His advice was to stick with Technics, so it’ll be interesting to see what he makes of the VL12 Prime. I don’t have to state that this is quite a premium to pay for what on the surface is little more than aesthetics. But this is an all new turntable with expensive tooling to pay for. So Denon DJ really needs to keep its fingers and toes crossed that people will fall in love with it and pay the premium. Denon fans are very loyal that way though.